Imprinting the Divine: Byzantine and Russian Icons from the Menil Collection

Saint Marina, Lebanon, possibly Tripoli, 13th century (image courtesy The Menil Collection. photo by Paul Hester) 4/10/2011 On view beginning October 21, Imprinting the Divine showcases the Menil’s collection of icons, widely regarded by scholars as one of the most important of its kind in the United States. Featured in the exhibit are more than 60 works originating from Greek, Balkan and Russian cultures and spanning 1,200 years, from the sixth to the eighteenth centuries

Saint Marina, Lebanon, possibly Tripoli, 13th century (image courtesy The Menil Collection. photo by Paul Hester) 4/10/2011 On view beginning October 21, Imprinting the Divine showcases the Menil’s collection of icons, widely regarded by scholars as one of the most important of its kind in the United States. Featured in the exhibit are more than 60 works originating from Greek, Balkan and Russian cultures and spanning 1,200 years, from the sixth to the eighteenth centuries

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Imprinting the Divine: Byzantine and Russian Icons from the Menil Collection

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